A New Yorker searching for the world's best beer takes a series of wrong turns through Hamburg and Vienna before reaching a happy ending in Murau.

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A biographical film about the famous Czech painter Mikoláš Aleš, portrayed as part of the vanguard of the working class and a spokesman for the oppressed, who asserts himself despite the opposing bourgeoisie and reactionaries of all kinds. The film focuses on the period when Mikoláš Aleš participated in the competition to decorate the National Theatre.

Within the cultural policy framework of the 1950s, Mikoláš Aleš was, in terms of fine art, equivalent to Bedřich Smetana in music and Alois Jirásek in history and literature. This biopic presents Aleš as an artist of a devoted to his nation and its folk traditions. The movie depicts the most important events of the celebration of “Aleš’s Year” (in honour of the hundredth anniversary of Aleš’s birth), which was conceptually prepared first and foremost by the then education minister Zdeněk Nejedlý, who was also a crucial figure in terms of cultural policy.

In the United States of America, lobbyists, corporations and billionaires invest millions of dollars to ensure that a suitable candidate, one inclined to support their personal ambitions and economic projects, wins an election, which inevitably affects everything, from the selection of local officials to presidential elections, creates countless conflicts of interest and undermines what supposedly used to be a model democracy.

Jesse is nine months pregnant and lives with her underemployed husband Hank in a dilapidated mobile home in a rusty trailer park and they spend an afternoon arguing about the problems they're having in their lives.

Ally finds herself in an unsettling psychological state as she tries to adjust to her difficult pregnancy. A routine trip to an ultrasound appointment reveals an even bigger discovery.

With an unlikely hero who apparently excels at almost anything, this confused saga of survival in the wilderness and accidental murder starts out hard to believe and stays that way. C.H. (Luc Matte) used to be a star player for the Montreal Canadiens and has turned in his puck and hockey stick for the pursuit of women -- as well as a good game of chess (he is a master at that too). He supports himself by waiting tables and one day takes some time off to go on vacation in the Quebec wilderness, where some local thugs give him a hard time. From that point onward, things get worse after one of the hooligans is accidentally killed.

Two small time hoods pretend to be serious henchmen in order to get to do a job in Toronto that they think will get them serious recognition in the mob. Things soon get out of control.

PALE STAR is about the possessiveness of love. About how that possession peels back to expose power and control until we can see, in its dark heart, not love but murder.